{"id":10,"date":"2022-08-22T20:55:00","date_gmt":"2022-08-22T18:55:00","guid":{"rendered":"https:\/\/katarzyna-wlodarczyk.com\/?page_id=10"},"modified":"2022-09-22T19:00:25","modified_gmt":"2022-09-22T17:00:25","slug":"biografia","status":"publish","type":"page","link":"https:\/\/katarzyna-wlodarczyk.com\/en\/biografia\/","title":{"rendered":"Biography"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row equal_height=&#8221;yes&#8221;][vc_column width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1662565357177{padding-right: 50px !important;padding-left: 50px !important;}&#8221;][vc_custom_heading text=&#8221;Katarzyna W\u0142odarczyk&#8221; font_container=&#8221;tag:h2|text_align:center|color:%23f7e0e3&#8243; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;fadeIn&#8221;][vc_empty_space][vc_column_text css_animation=&#8221;fadeIn&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Katarzyna W\u0142odarczyk<\/strong> is a graduate of the Vocal and Acting Department<br \/>\nat the I. J. Paderewski Music Academy in Pozna\u0144, from the class<br \/>\nof prof. dr hab. K. Rymarczyk, prof. dr hab. A. Kowtunow<br \/>\nand prof. dr hab. I. G\u00f3rska-Krasiel.<\/p>\n<p style=\"text-align: center;\">During her studies she started working with the Grand Theater<br \/>\nin Pozna\u0144 (Poland), where she made her role debut as Blumenm\u00e4dchen<br \/>\n(R. Wagner, &#8220;Parsifal&#8221;, cond. G. Chmura). In the following years she sang,<br \/>\namong others &#8211; Merc\u00e9d\u00e8s (G. Bizet, &#8220;Carmen&#8221;), L&#8217;enfant (M. Ravel,<br \/>\n&#8220;L&#8217;enfant et les sortil\u00e8ges&#8221; dir. R. A. Braun), Annina (G. Verdi, &#8220;Traviata&#8221;),<br \/>\nSacerdotessa (G. Verdi, &#8220;Aida&#8221;) and Fyodor (M. Mussorgsky, &#8220;Boris Godunov&#8221;).<\/p>\n<p style=\"text-align: center;\">From 2012 to 2014, Katarzyna participated in many master classes organized<br \/>\nby the Opera Academy, under the patronage of ENOA &#8211; European Network<br \/>\nof Opera Academies at the Grand Theater &#8211; National Opera in Warsaw.<\/p>\n<p style=\"text-align: center;\">From 2016-2018, she was a scholarship holder of the International Opera<br \/>\nStudio at the Komische Oper in Berlin, where she performed parts, incl. L\u2019Enfant,<br \/>\ndie Katze (A. K. \u015eendil, \u201eDie Bremer Stadtmusikanten\u201d), 3. Waldelfe<br \/>\n(A. Dvo\u0159ak, \u201eRusalka\u201d, dir. B. Kosky), Mrs. Alexander (P. Glass, \u201eSatyagraha\u201d,<br \/>\ndir. S. L. Cherkaoui), C\u00e9phie (P. Rameau, \u201eZoroastre\u201d, dir. T. Kratzer,<br \/>\ncond. Ch. Curnyn), Heloise (J. Offenbach, \u201eBlaubart\u201d, dir. S. Herheim,<br \/>\ncond. S. Solt\u00e9sz). Together with this theatre she made guest appearances<br \/>\nin Beijing (China), Tokyo, Hiroshima &#038; Osaka (Japan) as well as Paris<br \/>\n(Op\u00e9ra-Comique, France), playing the role of &#8220;Die Zweite Dame&#8221; in a famous<br \/>\n&#8220;Die Zauberfl\u00f6te&#8221; (W.A. Mozart) production, created by B. Kosky and Team 1927.<\/p>\n<p style=\"text-align: center;\">In 2018, W\u0142odarczyk was invited to the Mozart Academy at the Festival<br \/>\nAix-en-Provence (France). That same year she started a guest cooperation<br \/>\nwith the Deutsche Oper am Rhein in D\u00fcsseldorf (Germany),<br \/>\nsinging for two consecutive seasons as L&#8217;enfant (dir. Team 1927).<\/p>\n<p style=\"text-align: center;\">After finishing the Opera Studio, Katarzyna joined the ensemble of<br \/>\nthe Landesb\u00fchnen Sachsen in Radebeul\/Dresden (Germany),<br \/>\nwhere she made her role debut as H\u00e4nsel (E. Humperdinck, &#8220;H\u00e4nsel<br \/>\nund Gretel&#8221;), Varvara (L. Jan\u00e1\u010dek, &#8220;K\u00e1\u0165a Kabanov\u00e1&#8221;) and &#8220;Die K\u00f6nigin&#8221;<br \/>\n(P. Lund, &#8220;Der Frosch muss weg!&#8221;).<\/p>\n<p style=\"text-align: center;\">In 2019, she moved to Rostock (Germany) and beginned to work at<br \/>\nthe Volkstheater Rostock, getting the roles such as: Lucretia (B. Britten,<br \/>\n&#8220;The rape of Lucretia&#8221;), Olga (P. I. Tchaikovsky, &#8220;Eugene Onegin&#8221;),<br \/>\nCherubino (W. A. Mozart, &#8220;Le nozze di Figaro&#8221;) or Hannchen<br \/>\n(E. K\u00fcnekke &#8220;Der Vetter aus Dingsda&#8221;).<\/p>\n<p style=\"text-align: center;\">Katarzyna W\u0142odarczyk also performs in concerts. Among others,<br \/>\nshe performed together with the Gorz\u00f3w Philharmonic (G. Duchnowski,<br \/>\n&#8220;Veni Creator&#8221; oratory), Opole Philharmonic (M. Palmeri, &#8220;Missa Tango&#8221;),<br \/>\nPozna\u0144 Philharmonic (including e.g.: J. S. Bach, &#8220;Magnificat&#8221;,<br \/>\nA. Vivaldi, &#8220;Introduzione e Gloria&#8221;, W. A. Mozart, &#8220;Kr\u00f6nungsmesse&#8221;),<br \/>\nthe National Philharmonic in Warsaw (program of polish songs<br \/>\n&#8220;Music of my soul&#8221;, together with M. Koziel), the Elbland Philharmonie<br \/>\nSachsen as well as the Norddeutsche Philharmonie Rostock<br \/>\n(L. v Beethoven, &#8220;9. Simfonie&#8221; and concert of selected arias,<br \/>\nbroadcasted live by NDR Kultur Radio Deutschland).<\/p>\n<p style=\"text-align: center;\">Throughout her career the soloist has recorded two CDs. The first<br \/>\nrecording was to register &#8220;966.pl&#8221; &#8211; oratorio composed by J. Sykulski,<br \/>\ntogether with the Pozna\u0144 Philharmonic and \u0141. Borowicz. The second was<br \/>\na recording of a world wide premiere of &#8220;Die Bremer Stadtmusikanten&#8221;,<br \/>\nchildren opera by A. K. \u015eendil, with the Komische Oper Berlin.<\/p>\n<p style=\"text-align: center;\">Apart from the opera, W\u0142odarczyk has been developing in the field<br \/>\nof vocal coaching. Wanting to become a better teacher, she started<br \/>\nthe training for vocal educators, under the patronage of the \u201eNatural<br \/>\nVoice Perfection\u201d association. Furthermore, she got certified as<br \/>\na crisis consultant, under the supervision of Dr. E. Kluska-\u0141abuz,<br \/>\nat the Positive Institute of Crisis Therapy.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1661238711505{padding-right: 50px !important;padding-left: 50px !important;}&#8221;][vc_single_image image=&#8221;21&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeIn&#8221;][\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1662565370187{padding-right: 50px !important;padding-left: 50px !important;}&#8221;][vc_empty_space][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#f7e0e3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">Masterclass \/ Vocal coaching<\/h4>\n<p style=\"text-align: center;\">Laura Aikin, Maria Antkowiak, Susana Eken, Roberta Ferrari, Anita<br \/>\nGaran\u010da, Izabela K\u0142osi\u0144ska, Gregory Lamar, Sophia Mu\u00f1oz, John Norris,<br \/>\nCaren van Oijen, Eytan Pessen, Matthias Rexroth, Matja\u017e Robavs,<br \/>\nOlena Skrok, Peter Tomek.<\/p>\n<h4 style=\"text-align: center;\">Conductors<\/h4>\n<p style=\"text-align: center;\">Bassem Akiki, Lukas Beikircher, Karl Bernewitz, Marcus Bosch, Sylvain<br \/>\nCamberling, Gabriel Chmura, Christian Curnyn, Aleksander Gref, Martin Hannus,<br \/>\nIvo Hentschel, Stanislav Kochanovsky, Tadeusz Koz\u0142owski, Henrik N\u00e1n\u00e1si,<br \/>\nPrzemys\u0142aw Neumann, Patrycja Pieczara, Stefan Solt\u00e9sz, Eckehard Stier,<br \/>\nJonathan Stockhammer, Jordan de Suoza, Paul Taubitz, Katarzyna Tomala-Jedynak,<br \/>\nMatthew Toogood, Grzegorz Wierus, Maciej Wieloch.<\/p>\n<h4 style=\"text-align: center;\">Directors<\/h4>\n<p style=\"text-align: center;\">Calixto Bieto, Ran Arthur Braun, Sidi Labri Cherkaoui, Magdalena Fuchsberger,<br \/>\nAlvis Harmanis, Stephan Herheim, Rainer Holzapfel, Hotel Pro Forma,<br \/>\nBarrie Kosky, Tobias Kratzer, Denis Krief, Anja Nicklich, Christian Poewe,<br \/>\nTobias Ribitzky, Sebastian Rietschel, Rebekah Rota, Manuel Sch\u00f6bel,<br \/>\nTeam 1927, Christopher T\u00f6lle, Ivan Vyrypaev.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row equal_height=&#8221;yes&#8221;][vc_column width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1662565357177{padding-right: 50px !important;padding-left: 50px !important;}&#8221;][vc_custom_heading text=&#8221;Katarzyna W\u0142odarczyk&#8221; font_container=&#8221;tag:h2|text_align:center|color:%23f7e0e3&#8243; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;fadeIn&#8221;][vc_empty_space][vc_column_text css_animation=&#8221;fadeIn&#8221;] Katarzyna W\u0142odarczyk is a graduate of the Vocal and Acting Department at the I. J. Paderewski Music Academy in Pozna\u0144, from the class of prof. dr hab. K. Rymarczyk, prof. dr hab. A. Kowtunow and prof. dr hab. I. G\u00f3rska-Krasiel. During&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry","description-off"],"_links":{"self":[{"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":40,"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":22,"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/pages\/10\/revisions\/22"}],"wp:attachment":[{"href":"https:\/\/katarzyna-wlodarczyk.com\/en\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}